Introduction
Benjamin Omoike is a compelling voice in contemporary African art, whose work transcends conventional painting boundaries through a distinctive mixed-media approach. His art is a deliberate rejection of the "flat surface," instead embracing a multi-dimensional style that has made his artistic voice unique and resonant. In a recent interview, Omoike shared the pivotal moments of his journey, the philosophy behind his unique materials, and the core of his creative identity.
Artist Bio:
Omoike Benjamin (b. 1990, Lagos, Nigeria) is a full-time studio artist currently based in Lagos. He holds a National Diploma in General Arts and a Higher National Diploma in Painting from Auchi Polytechnic, Auchi, Nigeria.
Benjamin’s early exposure to art exhibitions ignited his enduring interest in visual expression, leading him to refine his artistic practice through intensive study and mentorship. Following his formal education, he expanded his technical and conceptual understanding by participating in professional workshops at the Universal Studio of Art, National Theatre, Iganmu.
His dedication to continual artistic growth reflects his belief in art as a vital force for cultural dialogue and transformation within Nigeria’s evolving contemporary art scene.
His works have been exhibited in group shows across Nigeria.
Exhibition History
- Group Exhibition, +234ART Curated by Soto Gallery, Victoria Island, Lagos, (March 2024)
- Online Exhibition, Harmer Gallery, United Kingdom (Melody of Hope, April 2024)
- Group Exhibition, Galeria Azur, Miami, Florida (Act VI, October 2024)
- Online Exhibition, Harmer Gallery, United Kingdom (Reconciliation, January 2025)
- Group Exhibition, Galeria Azur, Miami, Florida (Set 001, February 2025)
A Pivotal Detour
Omoike's artistic journey began early, around the age of ten, fueled by a deep love for fashion and color. He recalls creating collages using biscuit nylons and playfully stamping paint-covered palms on walls, unknowingly nurturing a lifelong passion. However, his path was not a straight line. In senior secondary school, he pursued science with the ambition of studying engineering. This trajectory was dramatically altered by a setback at the university: a D7 in Chemistry prevented him from proceeding in his chosen field. This experience, which he describes as a moment of differential treatment, led to a "bold decision" to change his course of study to Art and Design, marking the true beginning of his professional artistic life.
The Art of Texture and Identity
Omoike's work is instantly recognizable for its rich texture and its primary medium: ropes, fabrics, and newspaper on canvas. He is not merely a painter but a sculptor of the surface, using these materials to build and detail his subjects.
His thematic focus centers on identity and the human experience in a rapidly changing world, often personalizing techniques to relate to the "lives and mood of everyday city people." His pieces are characterized by a "profusion of rich texture" and the incorporation of "tactical motifs and forms" that align with African Contemporary Art.
Title: Out on A Date
Click to buy:
https://tribbbal.com/post/125801_out-on-a-date.html
Mastering The Mixed Medium
The artist's preference for mixed media is rooted in a desire for uninhibited expression. Omoike states that he is "not particularly drawn to working on flat surfaces," which is why mixed media has been his primary form of expression since his school days. This approach allows him to freely express himself through various materials and techniques, giving his artistic voice a distinct identity.
His chosen materials are central to this identity: ropes, fabrics, and newspapers. He connects deeply with these mediums, understanding their unique possibilities. Ropes are used to "create and form almost anything," serving as the foundational line work of his compositions. Fabrics introduce color variations and define the details of clothing and texture, adding depth and narrative to the pieces.
A key element of his artistic identity is the application of African motifs on the faces of his subjects, a style he calls "BLAZISM." This is the part of the creation process where he feels most connected to his identity, concentrating on making the motifs connect with the story behind the artwork. Furthermore, Omoike's work often incorporates elements of surrealism and abstraction to convey the complexity and fluidity of identity, aiming to provoke thought and spark conversations about the diverse and multifaceted nature of the self.
This dedication to mixed media stems from the freedom it provides, allowing him to express himself fully and stand out from his peers.
Title: Faces And Phases
Click to buy:
https://tribbbal.com/post/125446_faces-and-phases.html
The Creative Process
Omoike describes his creative process as a "lengthy one that requires patience and mastery." It begins and ends with the line. He starts by using a rope to draw out his subject, carefully shaping the composition. Once the form is complete, he moves to the detailing stage, incorporating color, fabrics, or African motifs.
A piece is deemed finished after a multi-stage process. The penultimate stage involves adding his signature motifs. The final stage is a deliberate artistic choice: painting the ropes black. This effect helps the piece stand out and highlights the "beauty in the color breakout" introduced by the fabrics and other elements.
Inspiration, Influence, and Philosophy
Omoike’s inspiration is deeply rooted in the urban environment. His series, Serenity I and II, holds the most special meaning for Omoike. This body of work is inspired by urban issues, capturing the emotions and experiences of city dwellers. The concept depicts a woman holding a flower, symbolizing the calmness and peace present in their lives despite the urban backdrop.
In terms of artistic influence, Omoike points to the work of Picasso and the broader Cubist movement. His extensive research into Cubism during his academic years inspired him to think critically about form, composition, and perspective, particularly how the movement challenges traditional representation by breaking objects and figures into geometric forms and multiple viewpoints.
This commitment to self-growth and artistic professionalism is central to his philosophy. He strives to push the boundaries of what is considered contemporary traditional art by constantly experimenting with techniques and materials, generating work that is both visually striking and emotionally resonant.
Title: Beauty Behind the Scars 2
Click to buy:
https://tribbbal.com/post/125475_beauty-behind-the-scars-2.html
The Global Artist
In the current technological era, Omoike acknowledges the profound impact of technology on his practice. It has allowed him to conduct thorough research efficiently and, crucially, to present his work to a global audience. This connectivity has helped him gain valuable exposure and connect with people beyond geographical boundaries.
The most pivotal moment in his artistic journey so far was participating in his first major group exhibition with SOTO Gallery at +234 Art in 2024. This experience provided significant exposure, challenged him to refine his practice, and marked a transformative step in his growth as an artist.
Conclusion
Benjamin Omoike is an artist who has masterfully translated his personal journey and cultural observations into a powerful visual language. By weaving together unconventional materials like rope and fabric, he creates not just images, but tactile narratives that explore the intricate layers of African identity and the urban condition. His dedication to his signature "BLAZISM" motifs and his continuous pursuit of self-expression through mixed media solidify his position as a significant figure in the contemporary art scene. Omoike’s commitment to creating art that is both technically innovative and emotionally profound ensures that his work will continue to resonate, inviting viewers to engage with the textured, complex, and ever-evolving story of the human spirit.
To learn more about Benjamin Omoike, please visit his profile:
