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Kolapo Olorunyemi
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Kolapo Olorunyemi

Kolapo Olorunyemi

@Kingdiah
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Nominated by: Raymonds
Joined 1/2026
37 år gammal
Bor i Nigeria
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Kolapo Olorunyemi
Kolapo Olorunyemi  lagt till ny produkt för försäljning.
3 i

Awelewa awakening 2

$1,500.00

0 Recensioner
Views: 1574
One-off
I lager· Ny· Art Type: Artwork· Category: Painting· Genre: Realism· Medium: Oil pastels· Techniques: Alla prima· Style: Abstract Expressionism· Skill: Master· Dimension: 12 x 36 - Inches· Dispatch: 1–3 business days· Total Units: 1· Abuja· Fct· Nigeria
Köp nu Gallery

Description

It delves into the decolonization of Nigeria's history through the depiction of African women with exceptionally long necks. These women symbolize the strength, grace, and resilience of the African spirit, transcending the confines of colonial narratives and embracing a powerful identity. In this series, each woman's face, from the nose up, is concealed by a futuristic mask. These masks serve as a representation of the dualities faced by African women—their hidden struggles, the silencing of their voices, and the preservation of their cultural heritage. Incorporated into the upper part of each mask are elements inspired by African artifact mask sculptures, emphasizing a connection to the ancestral past and the importance of cultural memory. The portrait is intentionally cut at the chest level, where a blend of futurism and technology manifest as cloth. This element symbolizes the merging of traditional African attire with futuristic materials, suggesting a transformative power that emerges when the past and the future collide. It represents the notion that progress and technological advancements can be achieved without sacrificing cultural heritage, ultimately fostering a sense of pride and empowerment. The series draws inspiration from the previous "Awelewa Series" which was itself influenced by Fela Anikulapo's song titled "Lady." "Awelewa," meaning "beautiful one" in Yoruba, celebrates the beauty and strength of African women, encouraging them to reclaim their stories and redefine their identities on their own terms. This new series, "The Resilient Spirits: Awelewa Awakens," builds upon these ideas and explores the process of decolonizing Nigeria's history through the lens of female empowerment. These paintings aim to challenge the dominant narratives that have marginalized African voices and seeks to reclaim the richness and complexity of the Nigerian experience. By incorporating elements of abstract realism, futuristic aesthetics, and traditional symbolism, the series aims to spark conversations about identity, power, and the decolonization of historical narratives.


Artist Name
Kolapo Olorunyemi


Artist Statement
My work is driven by a deep fascination with people and how we carry our histories, imagine our futures, and shape the worlds we inhabit. I work primarily through the human figure because the body holds memory in ways that words cannot. A gesture, a gaze, or a subtle expression can reveal the invisible forces that shape identity such as culture, time, belief, and experience. Portraiture for me is not only about likeness but about presence. Each face becomes a meeting point between past, present, and possibility. In recent years, my practice has increasingly been shaped by Afrofuturism, a space where imagination becomes a tool for rethinking African identity beyond inherited limitations. I am interested in how African stories can move forward into the future without losing their depth and complexity. Rather than seeing the future as something distant, I approach it as something we are already building through the ways we see ourselves and one another. This exploration has led me to develop the idea of Nutopia, a speculative space that exists somewhere between memory and projection. Nutopia is not a physical place but a way of imagining a future shaped by African consciousness, resilience, and creativity. It is a world where identity is fluid yet rooted, where history is acknowledged but not restrictive, and where new possibilities for being human can emerge. Through drawing and painting, I attempt to visualize fragments of this imagined world, moments where tradition and innovation coexist and where African identity expands rather than dissolves. My background in science continues to influence how I think and work. I am drawn to systems, patterns, and the unseen structures that organize reality. This perspective shapes my approach to image making, where intuition and investigation move together. Research, observation, and experimentation are essential parts of my process, allowing me to translate abstract ideas into visual form. At its core, my practice is also deeply personal. Making art is my way of navigating the constant flow of ideas, beliefs, and questions that shape how I understand the world. Each work becomes a record of that search and an attempt to locate myself within a larger story that connects history, imagination, and human experience. I hope my work creates spaces for reflection where viewers can recognize something of themselves while also encountering unfamiliar possibilities. Through these encounters, I aim to open quiet conversations about identity, belonging, and the futures we are capable of imagining together.


Artist Bio

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Artist Bio

Artist Name: Kolapo Olorunyemi

Category: Artist

Date Of Birth: 06-04-1988

Experience: 3 to above

Qualification:Bachelor

About Artisan: Kolapo Olorunyemi is a Nigerian artist who works at the crossroads of identity, human connection, and futurism. He’s been active for almost twenty years, showing his work across Africa, Europe, the UK, Asia, and America.

He was born in Ilorin and started drawing as a teenager, first falling in love with charcoal. He studied Applied Physics but chose art, using his scientific background to sharpen how he examines identity, memory, and change.

Kolapo works mainly in oil and charcoal, focusing on emotion, culture, and the future of African identity. His Afrofuturist approach blends research, symbolism, and portraiture to imagine new possibilities for African life.

He has held seven solo exhibitions, including Beyond the Obvious in Spain, Afro-Futurist in Zambia, and Nutopia in India and Nigeria. He has also shown his work in many group exhibitions around the world. In 2016, he founded Elbowroom to support young realistic artists.

Kolapo has earned several awards and completed international residencies. His work links past and future, pushing viewers to think about how identity and culture keep evolving.

Mission Statement: My work is driven by a deep fascination with people and how we carry our histories, imagine our futures, and shape the worlds we inhabit. I work primarily through the human figure because the body holds memory in ways that words cannot. A gesture, a gaze, or a subtle expression can reveal the invisible forces that shape identity such as culture, time, belief, and experience. Portraiture for me is not only about likeness but about presence. Each face becomes a meeting point between past, present, and possibility.

In recent years, my practice has increasingly been shaped by Afrofuturism, a space where imagination becomes a tool for rethinking African identity beyond inherited limitations. I am interested in how African stories can move forward into the future without losing their depth and complexity. Rather than seeing the future as something distant, I approach it as something we are already building through the ways we see ourselves and one another.

This exploration has led me to develop the idea of Nutopia, a speculative space that exists somewhere between memory and projection. Nutopia is not a physical place but a way of imagining a future shaped by African consciousness, resilience, and creativity. It is a world where identity is fluid yet rooted, where history is acknowledged but not restrictive, and where new possibilities for being human can emerge. Through drawing and painting, I attempt to visualize fragments of this imagined world, moments where tradition and innovation coexist and where African identity expands rather than dissolves.

My background in science continues to influence how I think and work. I am drawn to systems, patterns, and the unseen structures that organize reality. This perspective shapes my approach to image making, where intuition and investigation move together. Research, observation, and experimentation are essential parts of my process, allowing me to translate abstract ideas into visual form.

At its core, my practice is also deeply personal. Making art is my way of navigating the constant flow of ideas, beliefs, and questions that shape how I understand the world. Each work becomes a record of that search and an attempt to locate myself within a larger story that connects history, imagination, and human experience.

I hope my work creates spaces for reflection where viewers can recognize something of themselves while also encountering unfamiliar possibilities. Through these encounters, I aim to open quiet conversations about identity, belonging, and the futures we are capable of imagining together.

Training: Bachelor in science

Skills: Painting, drawing, graphics design, animation, projection mapping designer

Certification: BSc

Email: simplekolapo@yahoo.com

Phone: +2347064651808

Country: Nigeria

State: Fct

City Name: Abuja

Zip Code: 900104

Unionization:Union

SocialLink: www.instagram.com/kingdiah

WebLink: N/A

Reel url: N/A

Talent Agent: Raymond

Talent Agent Commercial: Tribbbal

Publicist: Tribbbal

Legal Representative: Tribbbal

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Kolapo Olorunyemi
Kolapo Olorunyemi  lagt till ny produkt för försäljning.
3 i

Awelewa awakening 1

$1,500.00

0 Recensioner
Views: 1576
One-off
I lager· Ny· Art Type: Artwork· Category: Painting· Genre: Realism· Medium: Oil paint· Techniques: Alla prima· Style: Portraiture· Skill: Master· Dimension: 12 x 36 - Inches· Dispatch: 1–3 business days· Total Units: 1· Abuja· Fct· Nigeria
Köp nu Gallery

Description

The Resilient Spirits: Awelewa Awakens" is a captivating painting series that delves into the decolonization of Nigeria's history through the depiction of African women with exceptionally long necks. These women symbolize the strength, grace, and resilience of the African spirit, transcending the confines of colonial narratives and embracing a powerful identity. In this series, each woman's face, from the nose up, is concealed by a futuristic mask. These masks serve as a representation of the dualities faced by African women—their hidden struggles, the silencing of their voices, and the preservation of their cultural heritage. Incorporated into the upper part of each mask are elements inspired by African artifact mask sculptures, emphasizing a connection to the ancestral past and the importance of cultural memory.


Artist Name
Kolapo Olorunyemi


Artist Statement
My work is driven by a deep fascination with people and how we carry our histories, imagine our futures, and shape the worlds we inhabit. I work primarily through the human figure because the body holds memory in ways that words cannot. A gesture, a gaze, or a subtle expression can reveal the invisible forces that shape identity such as culture, time, belief, and experience. Portraiture for me is not only about likeness but about presence. Each face becomes a meeting point between past, present, and possibility. In recent years, my practice has increasingly been shaped by Afrofuturism, a space where imagination becomes a tool for rethinking African identity beyond inherited limitations. I am interested in how African stories can move forward into the future without losing their depth and complexity. Rather than seeing the future as something distant, I approach it as something we are already building through the ways we see ourselves and one another. This exploration has led me to develop the idea of Nutopia, a speculative space that exists somewhere between memory and projection. Nutopia is not a physical place but a way of imagining a future shaped by African consciousness, resilience, and creativity. It is a world where identity is fluid yet rooted, where history is acknowledged but not restrictive, and where new possibilities for being human can emerge. Through drawing and painting, I attempt to visualize fragments of this imagined world, moments where tradition and innovation coexist and where African identity expands rather than dissolves. My background in science continues to influence how I think and work. I am drawn to systems, patterns, and the unseen structures that organize reality. This perspective shapes my approach to image making, where intuition and investigation move together. Research, observation, and experimentation are essential parts of my process, allowing me to translate abstract ideas into visual form. At its core, my practice is also deeply personal. Making art is my way of navigating the constant flow of ideas, beliefs, and questions that shape how I understand the world. Each work becomes a record of that search and an attempt to locate myself within a larger story that connects history, imagination, and human experience. I hope my work creates spaces for reflection where viewers can recognize something of themselves while also encountering unfamiliar possibilities. Through these encounters, I aim to open quiet conversations about identity, belonging, and the futures we are capable of imagining together.


Artist Bio

0 Votes

5 Star (0)
4 Star (0)
3 Star (0)
2 Star (0)
1 Star (0)

Vote Breakdown

Interpretation and clarity of the theme, to the viewer.

0

Creativity, uniqueness, and originality of the depicted theme.

0

Quality of artistic composition and overall design based on the theme.

0

Color and tone. Balance of image within its space.

0

What is the effect of the artwork in general and as a whole?

0

Overall, can the entire artwork be judged as a masterpiece?

0

Non-triBBBal Member Request Free Invite Key

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Voting Criteria

Artist Bio

Artist Name: Kolapo Olorunyemi

Category: Artist

Date Of Birth: 06-04-1988

Experience: 3 to above

Qualification:Bachelor

About Artisan: Kolapo Olorunyemi is a Nigerian artist who works at the crossroads of identity, human connection, and futurism. He’s been active for almost twenty years, showing his work across Africa, Europe, the UK, Asia, and America.

He was born in Ilorin and started drawing as a teenager, first falling in love with charcoal. He studied Applied Physics but chose art, using his scientific background to sharpen how he examines identity, memory, and change.

Kolapo works mainly in oil and charcoal, focusing on emotion, culture, and the future of African identity. His Afrofuturist approach blends research, symbolism, and portraiture to imagine new possibilities for African life.

He has held seven solo exhibitions, including Beyond the Obvious in Spain, Afro-Futurist in Zambia, and Nutopia in India and Nigeria. He has also shown his work in many group exhibitions around the world. In 2016, he founded Elbowroom to support young realistic artists.

Kolapo has earned several awards and completed international residencies. His work links past and future, pushing viewers to think about how identity and culture keep evolving.

Mission Statement: My work is driven by a deep fascination with people and how we carry our histories, imagine our futures, and shape the worlds we inhabit. I work primarily through the human figure because the body holds memory in ways that words cannot. A gesture, a gaze, or a subtle expression can reveal the invisible forces that shape identity such as culture, time, belief, and experience. Portraiture for me is not only about likeness but about presence. Each face becomes a meeting point between past, present, and possibility.

In recent years, my practice has increasingly been shaped by Afrofuturism, a space where imagination becomes a tool for rethinking African identity beyond inherited limitations. I am interested in how African stories can move forward into the future without losing their depth and complexity. Rather than seeing the future as something distant, I approach it as something we are already building through the ways we see ourselves and one another.

This exploration has led me to develop the idea of Nutopia, a speculative space that exists somewhere between memory and projection. Nutopia is not a physical place but a way of imagining a future shaped by African consciousness, resilience, and creativity. It is a world where identity is fluid yet rooted, where history is acknowledged but not restrictive, and where new possibilities for being human can emerge. Through drawing and painting, I attempt to visualize fragments of this imagined world, moments where tradition and innovation coexist and where African identity expands rather than dissolves.

My background in science continues to influence how I think and work. I am drawn to systems, patterns, and the unseen structures that organize reality. This perspective shapes my approach to image making, where intuition and investigation move together. Research, observation, and experimentation are essential parts of my process, allowing me to translate abstract ideas into visual form.

At its core, my practice is also deeply personal. Making art is my way of navigating the constant flow of ideas, beliefs, and questions that shape how I understand the world. Each work becomes a record of that search and an attempt to locate myself within a larger story that connects history, imagination, and human experience.

I hope my work creates spaces for reflection where viewers can recognize something of themselves while also encountering unfamiliar possibilities. Through these encounters, I aim to open quiet conversations about identity, belonging, and the futures we are capable of imagining together.

Training: Bachelor in science

Skills: Painting, drawing, graphics design, animation, projection mapping designer

Certification: BSc

Email: simplekolapo@yahoo.com

Phone: +2347064651808

Country: Nigeria

State: Fct

City Name: Abuja

Zip Code: 900104

Unionization:Union

SocialLink: www.instagram.com/kingdiah

WebLink: N/A

Reel url: N/A

Talent Agent: Raymond

Talent Agent Commercial: Tribbbal

Publicist: Tribbbal

Legal Representative: Tribbbal

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DavidMoses Awelewa awakening 1 $2000 active 2026-03-02 05:22:45
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